Monday, November 20, 2006

MOVIE REVIEW: The Prestige


Christopher Nolan, the director of the impressive The Prestige, is no stranger to obsession. In Memento a man with short-tern memory loss is obsessed with finding his wife’s killer. In Batman Returns he visits the obsessions of comic book’s most narcissistic obsessive. In The Prestige Nolan documents the dueling obsessions of two rival magicians. The obsessions differ in reason and magnitude, but at its heart, each is equally destructive for both men.

Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale) begin their careers together as magician assistants in late 19th century England. Angier is more the showman; Borden is more the daredevil risk-taker. Their professional rivalry turns personal after a tragic mishap on stage happens to Angier’s wife. The two men begin their own careers: Angier performing as “The Great Danton” and Borden taking the moniker, “The Professor.” A new trick introduced by Borden, “The Transported Man” is the skeleton that the meat of the rivalry grows on. Angier’s sabotage is revenge for the earlier transgression. Borden’s is done for professional gain.

The story unfolds with past events mixing with the present. It is deftly balanced and orchestrated not unlike a great magic trick. The story contains The Pledge – a trick’s set-up; The Turn – a trick’s climax; and The Prestige – a trick’s finale and surprise. The audience is treated to the full knowledge (I think) of the story’s Prestige. The sharpest turn of the movie is that the rivalry ends without a clear resolution as to which magician defeats the other. I would write "which magician wins” but after a while it’s clear that winning and losing are not factors in this rivalry.

The plot is serpentine and deep. I wouldn’t characterize it as full of “twists” though there are plenty of twists to be had. It avoids the gimmicks that are involved in modern “twist” movies. The new discoveries are fully cemented to the story. The movie asks us to pay attention from the first scene to the last and to soak up the details and work out the resolution for ourselves. In many ways I was able to foresee where it was going. But ultimately, I was simply set-up for the next Turn, for the next level of obsession that haunted each performer. Like every good magic trick, every time I thought I had it down, The Prestige delivers another “aha” moment.

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